K-Pop

Bang Chan, Changbin, and Han showcase their musical textures in '3RACHA Session'

Stray Kids' producing unit 3RACHA presented a session capturing the musical textures and production process of the THIS & THAT Remix Series.

Nam Siwoo | Published 2026.08.13 07:11 |Updated 2026.08.13 07:20 | Comments 0
Bang Chan, Changbin, and Han showcase their musical textures in '3RACHA Session'
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Stray Kids' producing unit 3RACHA (Bang Chan, Changbin, Han) has unveiled the blueprint of their songs through a session video capturing their musical creative process. This video connects to the recently released 'THIS & THAT' remix series, providing a detailed look at the sound composition and the members' production methods.

The Link to the Remix Series: 3RACHA's Studio

This session captures the working environment and sonic approach of 3RACHA, the unit that shapes Stray Kids' musical identity. The core background of this session is the two branches of remix works, 'This Remixes' and 'That Remixes,' which center around 'THIS & THAT.' The members musically explore the differences in sound between each remix version and the process of song variation.

The sound textures revealed in the video go beyond simple song reconstruction. While maintaining the skeleton of the original tracks, 3RACHA focuses on how they adjusted the impact of the beats, vocal placement, and spatiality emphasized in the remix versions. This process demonstrates how the musical spectrum pursued by Stray Kids expands through the remix format.

The Core of Sound Design: The Roles of Bang Chan, Changbin, and Han

The 3RACHA session serves as a point to showcase how each member contributes to the various elements of a song. Bang Chan, Changbin, and Han are closely interconnected, from the stage of designing the overall structure of a track to the detailed processes of determining beat texture. In particular, this remix series primarily focuses on layering new sound textures while maintaining the energy of the original songs.

In terms of composition, the variation of the beats is prominent. The structure, divided into 'This Remixes' and 'That Remixes,' maximizes the duality of the songs. The members demonstrate how they shift the mood of a track by adjusting sound density, supporting the experimental nature of Stray Kids' music. Rather than simple playback, the session centers on the details of production—layering the textures of sound.

Ultimately, this session is a record of the physical space where Stray Kids' music is completed and the sonic variations that occur within it. The remix work unfolding under the theme of 'THIS & THAT' serves to visually and auditorily connect the production capabilities of 3RACHA.

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Nam Siwoo
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